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Updated: May 11, 2025
I still see Robson slide across the stage, in one sidelong wriggle, as the small black sinister Prince Richcraft of the fairy-tale, everything he did at once very dreadful and very droll, thoroughly true and yet none the less macabre, the great point of it all its parody of Charles Kean in The Corsican Brothers; a vision filled out a couple of years further on by his Daddy Hardacre in a two-acts version of a Parisian piece thriftily and coarsely extracted from Balzac's Eugénie Grandet.
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