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We possess records of arrangements by the early masters of the school which almost reproduce the flower paintings of Sansetsu and Tsunenobu. The Naturalesque school, on the other hand, accepted nature as its model, only imposing such modifications of form as conduced to the expression of artistic unity.
Though I saw them for the first time in the flesh, I recognized them at once. Here were the identical fisherfolk who have sat for centuries in the paintings of Tsunenobu, not a whit more immovable in kakemono than in real life. I almost looked to find the master's seal somewhere in the corner of the landscape.
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