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Updated: June 20, 2025
My son, I have inhabited Rueda long enough to acquire a faith in miracles, even had I brought none with me. Along this ledge our three drunkards strolled like children out of the very womb of earth. They will never know what they escaped: should the knowledge ever come to them it ought to turn their hair grey then and there." "Children and drunkards," said I. "You know the byword?"
This is Cervantes's description of the national stage in the time of his immediate predecessor, Lope de Rueda. The Spanish zarzuela appears to have been the forerunner and origin of all musical farce and "opera comique," only naturalised in our country during the present generation.
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