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Updated: May 4, 2025
Nor is Rauch's grand equestrian Sculpture a thing to be believed, or perhaps pretending much to be so.
The ungainly and irrelevant assemblage of men and animals backs away from the imperial palace, and saves itself too soon from plunging over the border of a canal behind it, not far from Rauch's great statue of the great Frederic.
The ungainly and irrelevant assemblage of men and animals backs away from the imperial palace, and saves itself too soon from plunging over the border of a canal behind it, not far from Rauch's great statue of the great Frederic.
What finer history than Titian's Paul III., Raphael's Leo X., Albert Dürer's head of himself? What finer than the Pericles, the Marcus Aurelius of the Capitol, the Demosthenes of the Vatican, Chantrey's Scott, Houdon's Voltaire, Powers's Jackson? Heroic? what more heroic than the Lateran Sophocles, the Venetian Colleoni, or Rauch's statue of Frederick the Great? Poetical?
Some days afterwards I met at a friend's house, where Rauch's birth-day was being celebrated, Tieck, the sculptor, who told me that his brother had lately waited two hours for me at dinner. I went to him and discovered that he had sent me an invitation, which, however, had been taken to a wrong inn.
The ungainly and irrelevant assemblage of men and animals backs away from the imperial palace, and saves itself too soon from plunging over the border of a canal behind it, not far from Rauch's great statue of the great Frederic.
Under Rauch's direction she executed the medal to commemorate the duke's death. In 1841 she made the medal for the convention of naturalists at Jena. After Neher's designs, she modelled reliefs for the bronze doors at the castle of Weimar. <b>FARNCOMB, CAROLINE.</b> Several first prizes in exhibitions in London, Toronto, Montreal, and Ottawa. Member of Women's Art Club, London, Ontario.
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