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Updated: May 18, 2025
Even feminine modes of music suffered the same kind of transformation. Vasanta Ragini, 'the music of springtime, was normally apostrophized as a lovely lady, yet because springtime suggested lovers, she was shown in painting as if she were Krishna dancing with a vase of flowers, holding a wand in his hand or celebrating the spring fertility festival.
The mode, Pancham Ragini, was also feminine in character and was conceived of as a beauty enjoying her lover's advances. The lady herself was portrayed, yet once again Krishna was introduced, this time as her lover. In all these cases the celebration of Krishna was incidental to the main theme and only in one instance a Malwa Rasika Priya is there a trace of undisguised adoration.
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