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Updated: August 6, 2026
Inasmuch as Wagner's art bears us, from time to time, beyond itself, we are enabled to get a general view of its uniform character: we see Goethe and Leopardi as the last great stragglers of the Italian philologist-poets, Faust as the incarnation of a most unpopular problem, in the form of a man of theory thirsting for life; even Goethe's song is an imitation of the song of the people rather than a standard set before them to which they are expected to attain, and the poet knew very well how truly he spoke when he seriously assured his adherents: "My compositions cannot become popular; he who hopes and strives to make them so is mistaken."
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