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Updated: May 26, 2025
In short, LAZZARINI communicates to the audience an unpleasant sensation in proving that he has real talents. Neither the same reproaches nor the same praises can be bestowed on PARLAMAGNI. He is a good counter-tenor, but has a harshness in the high tones, which he does not always reach with perfect justness. He is also deficient in ease and grace.
PARLAMAGNI, however, having an advantageous person, and the air of a Frenchman, is a great favourite with the Parisian dilettanti. He is a tolerably good comedian, and in some scenes of buffoonery, his acting is natural, and his manner free and unaffected.
Anima in voce is the characteristic of her singing: the same epithet may be applied to her recitative and her acting: in these she displays no less spirit and animation. After Signora SACCHI, comes Signora PARLAMAGNI. She is a young, and rather pretty woman, not unlike a French actress in her manner. Her voice is free and clear, and her method by no means to be disdained.
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