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Instead of the repetition and variation of one or two short themes, as in music, Panawe's theme was prolonged it never came to an end, but rather resembled a conversation in rhythm and melody. And, at the same time, it was no recitative, for it was not declamatory. It was a long, quiet stream of lovely emotion. Maskull listened entranced, yet agitated.
Maskull felt rather embarrassed at being embraced by a man, but submitted to it; a sense of cool, pleasant languor passed through him in the act. "The stranger is red-blooded, then?" He was startled by Panawe's speaking in English, and the voice too was extraordinary.
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