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Updated: August 28, 2024
A portrait of Martin van Nieuwenhoven, the donator of the diptych, La Vierge aux Pommes, is as superb a Memling as one could wish for. The little hairs are a sign of clever, minute brush. The ductile, glowing colours make this a portrait to be compared to any of the master's we have studied at London, Berlin, Dresden, Lübeck, Paris, Amsterdam, and Brussels.
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