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Updated: May 10, 2025
Now, it is of the very essence of the Italian opera of the Gluck-cum-Mozart model that it enables a composer to represent moments. The drama does not unfold gradually, as it does in the music-play, with its continuous flow of music marking the subtlest changes.
His leitmotif in the music-play has been 'See the Conquering Hero' up to now; one isn't sorry to see one's sex avenged. But one is sorry for Mary Fraithorn's boy." She indicated the Chaplain with a twirl of her eyeglasses. "She used to visit him with the Sisters when he was ill, and, of course, he has been bowled over.
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