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By the purity of its handling, by its relation with LA FEE AUX MIETTES and LES LUTINS D'ARGAIL, by its rencounters with the SERAPHINS and DIANES, who murmur in his ear their most confidential complaints, their most secret dreams, the style and the manner of conception of Chopin remind us of Nodier.
After saying that Chopin idealised the fugitive poesy inspired by fugitive apparitions like "La Fee aux Miettes," "Le Lutin d'Argail," &c., to such an extent as to render its fibres so thin and friable that they seemed no longer to belong to our nature, but to reveal to us the indiscreet confidences of the Undines, Titanias, Ariels, Queen Mabs, and Oberons, Liszt proceeds thus:
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