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Updated: June 16, 2025
The three chief musical papers of Paris: the "Gazette Musicale," the "France Musicale," and the "Menestrel" were unanimous in their high, unqualified praise of the concert-giver, "the king of the fete, who was overwhelmed with bravos."
The words with which the critic of the Menestrel closes his remarks, describe well the nature of the emotions which the artist excited in his hearers: The concert, which was beyond a doubt a complete success, must have given Chopin satisfaction in every respect. At any rate, he faced the public again before a year had gone by.
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