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Updated: May 9, 2025
In his death, the spirit of chivalry survives, metamorphosed, it is true, into the spirit of revolt, yet still tragic, such as might animate the desperate sinner of a haughty breed. The central figure of the melo-comedy is Cherubino, the genius of love, no less insatiable, but undetermined to virtue or to vice. This is the point of Cherubino, that the ethical capacities in him are still potential.
But when I had reached my bedroom in the Hôtel de la Ville, I sat down, obstinate and unconvinced, and penned this rhapsody, which I have lately found among papers of nearly twenty years ago. I give it as it stands. Mozart has written the two melodramas of love the one a melo-tragedy, the other a melo-comedy. But in really noble art, Comedy and Tragedy have faces of equal serenity and beauty.
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