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Updated: May 9, 2025
A dark silhouetted mass is seen against a light sky, the perfect balance of the shapes and the infinite play of lost-and-foundness in the edges giving to this simple structure a richness and beauty effect that is very satisfying. Stability is given by the vertical feeling in the central group of trees and the suggestion of horizontal distance behind the figure.
This play, this lost-and-foundness at his edges is one of the great distinguishing charms of Corot's trees. These are three of the more extreme types of trees to be met with in art, but the variations on these types are very numerous. Whatever treatment you adopt, the tree must be considered as a whole, and some rhythmic form related to this large impression selected.
A middle tone having been scumbled over the whole, the lights are now painted. Their shapes and the play of lost-and-foundness on their edges being observed. No. 3. The same as the last, with the addition of the darks; variety being got in the same way as in the case of the lights, only here the thinner part is lighter, whereas in the case of the lights it was darker. No. 4.
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