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Updated: April 30, 2025
Then some stairs and a set of eighteenth-century rooms with curiously real carnival costumes in them, like Longhi's pictures come to life, and a painting or two by Guardi, including what purports to be his own portrait. Then a Chinese room, and a Goldoni room with first editions of the little man's plays, his portrait, and other relics.
His pages may be said to supply a gloss to Longhi's paintings, and the two men together complete the picture of Venetian frivolity in their day and night. The well-head nearer the Giants' Stairs was the work of Alberghetti and is signed inside. Coryat has a passage about the wells which shows how much more animated a scene the ducal courtyard used to present than now.
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