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Updated: May 3, 2025
For with all their faults these works had a marvellous success. The truth is that their vehemence was sincere and not artificial. The Romanticists had faith in their works and there is nothing like faith to produce lasting results. Reicha and Leuseur were, as we know, Berlioz's instructors. Leuseur was the author of numerous works and wrote a good deal of church music.
In imitating a model the resemblances occur in the faults and not in the excellences, for the latter are inimitable. So the excellences of the Requiem are not due to Leuseur but to Berlioz. He had already thrown off the trammels of school and shown all the richness of his vigorous originality to which the value of his scores is due. In his Memoirs Berlioz related the tribulations of his Requiem.
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