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The stage scenery was set for romance, but from the moment the curtain rose the play had persisted in being farce. However, farce or romance, it was all one to him so long as he could play leading-man; what he objected to was the minor part. The fact was clear that sash and earrings could never compete with uniform and sword and the Italian language.
Surbilt, being wife to the established leading man of that ilk, Vorly Surbilt. Miss Lyston had come to the rehearsal in a condition of exhausted nerves, owing to her husband's having just accepted, over her protest, a "road" engagement with a lady-star of such susceptible gallantry she had never yet been known to resist falling in love with her leading-man before she quarrelled with him.
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