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Updated: May 14, 2025
They are two finely contrasted portraits, and what a grimace of disgust is aroused when Launhart tells the woman who loves Hetman: "O Fanny, Fanny, a living rascal is better for your welfare than the greatest of dead prophets." What Dead-Sea-fruit wisdom! The pathos of distance doesn't appeal to the contemporary soul of Wedekind. He writes for the young, that is, for to-morrow.
As a foil for the idealist Hetman who is a sort of inverted Nietzsche; also a self-portrait in part of the dramatist there is the self-seeking scamp Launhart who succeeds with the very ideas which Hetman couldn't make viable, ideas in fact which brought about his disaster.
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