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Updated: May 19, 2025
For the origin and meaning of this knotwork, so often found in these islands on ancient crosses, and for its value as an illustration of the possible connection of Saxon architecture with the Comacine Guild of Italy, see The Cathedral Builders, by Leader Scott, pp. 82-99, and p. 145. This was the case with all the windows of both transepts in the lower tier at any rate until the last restoration.
Haigh observed that the design on this side was the same as on the two sides of the Ruthwell Cross.* The north and the south sides are in a state of good preservation, and are covered with a beautiful design in knotwork, and alternate lines of foliage, flowers, and fruit.
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