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Updated: May 9, 2025
Umè-ko's kirigirisu which, some weeks before, she had released from its cage, had, as if in gratitude made a home among the lichens of the big plum tree. Umè believed that she always knew its voice from among the rest, no matter how full the chorus of silver chiming. She had gone back to her room, and sat now, in the centre of it, staring toward the garden.
It was the part of this youth to search daily among the bamboo stems and hillside grasses of Meguro for the musical suzu-mushi, the hataori, and the kirigirisu. These he incarcerated in fairy cages of plaited straw, threaded the cages into great hornets' nests that dangled from the two ends of his creaking shoulder-pole, and started toward the city in a perfect storm of insect music.
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