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But without denying the power and artistry of this latter master, we may still believe in the well-established claim of Keldermans, who showed in this great tower the height of art culminating in exalted workmanship.
Keldermans was selected by Marguerite and Philip of Savoie to build the "Greatest Church in Europe," and the plans, drawn with the pen on large sheets of parchment pasted together, which were preserved in the Brussels Museum up to the outbreak of the war, show what a wonder it was to have been. These plans show the spire complete, but the project was never realized.
The immense, flat-topped, gray Gothic spire which dominated the picturesque line of low, red-tiled roofs showing here and there above the clustering, dark-green masses of trees in level meadows, was that of St. Rombauld, designated by Vauban as "the Eighth Wonder of the World," constructed by Keldermans, of the celebrated family of architects.
Charles the Fifth, filled with admiration for this masterpiece, showered Keldermans with honors; made him director of construction of the towns of Antwerp, Brussels, and Malines, putting thus the seal of artistic perfection upon his dynasty.
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