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But it is, nevertheless, the possibility of a memory-image in the child and an imagination-image in the hearer that makes the essence of the narrative "meaning" of the words. In so far as this is absent, the words are mere counters, capable of meaning, but not at the moment possessing it. Yet this might perhaps be regarded as something of an overstatement.
I am inclined to think that it consists merely in the knowledge that no one individual is represented, so that what distinguishes a general idea from a vague idea is merely the presence of a certain accompanying belief. If this view is correct, a general idea differs from a vague one in a way analogous to that in which a memory-image differs from an imagination-image.
Words may be used to describe or create an imagination-image: to describe it, for example, in the case of a poet or novelist, or to create it in the ordinary case for giving information-though, in the latter case, it is intended that the imagination-image, when created, shall be accompanied by belief that something of the sort occurred.
But the reader can easily supply the interpretation for himself. In order to define the "meaning" of an image, we have to take account both of its resemblance to one or more prototypes, and of its causal efficacy. If there were such a thing as a pure imagination-image, without any prototype whatever, it would be destitute of meaning.
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