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Updated: May 18, 2025
To say that the artists of the movement insist on design is not to deny that some of them are exceptionally fine colourists. Cézanne is one of the greatest colourists that ever lived; Henri-Matisse is a great colourist. Yet all, or nearly all, use colour as a mode of form. They design in colour, that is in coloured shapes.
The attitude of the profession towards unorthodox medicine is the classical instance. In the autumn of 1912 I was walking through the Grafton Galleries with a man who is certainly one of the ablest, and is reputed one of the most enlightened, of contemporary men of science. Looking at the picture of a young girl with a cat by Henri-Matisse, he exclaimed "I see how it is, the fellow's astigmatic."
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