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Updated: May 15, 2025
Hedwiga, Madame de Stael and the Princess, are merely different manifestations of the same self- willed and proud longing of woman to unsex herself, and realise, single and self-sustained, some distorted and partial notion of her own as to what the "angelic life" should be. Cleopatra acted out the pagan ideal of an angel; St.
Hedwiga, the medieval one; Madame de Stael hers, with the peculiar notions of her time as to what "spirituel" might mean; and in "The Princess" Mr. Tennyson has embodied the ideal of that nobler, wider, purer, yet equally fallacious, because equally unnatural, analogue, which we may meet too often up and down England now.
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