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A comparison of the passages in "King Lear" spoken by Edgar when feigning madness, with those in Harsnet's book which seem to have suggested them, will furnish as vivid a picture as it is possible to give of the state of contemporary belief upon the subject of possession. It is impossible not to notice that nearly all the allusions in the play refer to the performance of the youth Richard Mainy.
The exorcists. 63. John Cotta on possession. What the "learned physicion" knew. 64. What was manifest to the vulgar view. Will Sommers. "The Devil is an Ass." 65. Harsnet's "Declaration," and "King Lear." 66. The Babington conspiracy. 67. Weston, alias Edmonds. His exorcisms. Mainy. The basis of Harsnet's statements. 69. The devils in "Lear." 70. Edgar and Mainy. Mainy's loose morals. 71.
This influence could be exerted, however, without actual corporal contact, as the following quaint extract from Harsnet's book will show: The more violent or uncommon of the bodily diseases were, as the quotation from Cotta's book shows , attributed to the same diabolic source.
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