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Updated: May 9, 2025
Every vocal tone, good or bad, is produced by the motion of the vocal cords and reinforced by the resonance of the mouth-pharynx cavity. Only when considered as an empirical description is the forward-tone precept of value. In this sense the precept describes accurately the difference in the impressions made on the hearer by correct and incorrect singing.
This impression of throat, noted by the hearer, consists of muscular, not of strictly auditory sensations. As a statement of scientific fact, the forward-tone precept is erroneous. It does not describe scientifically the difference between correct and incorrect tone-production. Correctly sung tones are not produced at the lips.
Correct singing gives the impression that the throat muscles exert exactly the requisite degree of strength, and no more. Taken together, the open-throat and the forward-tone precepts embody an admirable description of the sympathetic sensations awakened by perfect singing. The singer's entire vocal mechanism is felt to be in a condition of lithe and supple freedom.
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