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Yet it has an air of veracity; and what the Flemish painter seized in the divine man he so much admired, was a certain slender grace and dignity of person exactly the quality which Mr. Fortnum's cameo possesses.
For detailed information on the history and processes used in the manufacture of these tiles, see Sir George BIRDWOOD'S Industrial Arts of India, part ii. pp. 304-310, 321, and 330; also Mr. DRURY FORTNUM'S report on the Sindh pottery in the International Exhibition of 1871. PLACE, Ninive, vol. i. p. 234; vol. iii. plates 9 and 17. Ibid. vol. iii. plate 14.
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