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Updated: May 17, 2025
Another was formed, a country dance. Again Maurice was Maddalena's partner. Then came "La Fasola," in which Amedeo proudly showed forth his well-known genius and Gaspare rivalled him. But Maurice thought it was not like the tarantella upon the terrace before the house of the priest. The brilliancy, the gayety of that rapture in the sun were not present here among farewells.
Round the walls stood a throng of gazers, and in the middle of the floor the dancers performed vigorously, dancing now a polka, now a waltz, now a mazurka, now an elaborate country dance in which sixteen or twenty people took part, now a tarantella, called by many of the contadini "La Fasola."
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