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These riders were the Count of Aquila and Fanfulla degli Arcipreti, followed by Lanciotto leading a mule that bore the arms of those knights-errant, and Zaccaria leading another with their general baggage. All night they rode beneath the stars, and on until some three hours after sunrise, when they made halt in a hollow of the hills not far from Fabriano.
Another very considerable factor in the development of Venetian painting was the influence of GENTILE DA FABRIANO (c. 1360-1430), who settled in Venice in the latter part of his life, and there formed the closest intimacy with Antonio Vivarini. The remarkable Adoration of the Kings in the Berlin Museum was until lately given to Gentile, though it is now catalogued as the work of Antonio. Of Gentile's education little is known, and of the numerous works which he executed at Fabriano, in Rome and in Venice very few have survived. From those that exist, however, we can form an estimate of his talents and of the difference between his earlier and later styles. To the first belong a fresco of the Madonna in the Cathedral at Orvieto, and the beautiful picture of the Madonna and saints which is now in the Kaiser Friedrich Museum at Berlin. Also the fine Adoration of the Kings, inscribed with his name and the date 1423, formerly in the sacristy of S. Trinit
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