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Updated: May 27, 2025
To condemn Racine on the score of his ambiguities and his pomposities is to complain of the hastily dashed-in column and curtain in the background of a portrait, and not to mention the face. Sometimes indeed his art seems to rise superior to its own conditions, endowing even the dross and refuse of what it works in with a wonderful significance.
He continued speaking in the same tone. I fled in vain; he relaxed not, but, ever present, mockingly talked of gold and shadow. I could come to no single thought of my own. I struck through empty streets toward my house. When I stood before it, and gazed at it, I could scarcely recognize it. No light shone through the dashed-in windows.
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