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Among the opportunist and ultra "reformists" who were still anxious to take no definite action, were such well-known men as Bissolati, Podrecca, Calda, and Ciotti. Bissolati deplored all agitation in criticism of the war except a demand for the convocation of the Chamber.
It is a handsome quarto from the press of Giovanbattista Bonfadino, and is dated the following year . In 1602 a luxurious edition, said on the title-page to be the twentieth, was issued at Venice by Giovanbattista Ciotti. This represents Guarini's final revision of the text, and contains, besides a portrait and engravings, elaborate notes by the author, and an essay on tragi-comedy .
It first appeared in 1647 in the form of a handsomely printed quarto with portrait and frontispiece engraved after the Ciotti edition of 1602, the remaining copies being re-issued with additional matter the following year; it went through two editions between the restoration and the end of the century, and was again reprinted together with the original, and with alterations in 1736 . In the meantime, however, the translation had been adapted to the stage by Elkanah Settle.
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