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Updated: May 16, 2025
Out of these uncouth and rebellious materials she had to compose her instrument, and then to give it flexibility. Chor-ley, in speaking of these difficulties, says: "The volubility and brilliancy, when acquired, gained a character of their own from the resisting peculiarities of her organ.
Chor-ley recalls the impression she made on him at this time in more precise and emphatic terms: "From the first hour when Maria Garcia appeared on the stage, first in 'Il Barbiere' and subsequently in 'Il Crociato, it was evident that a new artist, as original as extraordinary, was come one by nature fairly endowed, not merely with physical powers, but also with that inventive, energetic, rapid genius, before which obstacles become as nothing, and by the aid of which the sharpest contradictions become reconciled."
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