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Updated: August 7, 2024
Il primo uomo, il musico, sings beautifully, but his voice is uneven; his name is Caselli. Il secondo uomo is quite old, and does not at all please me. The tenor's name is Ottini; he does not sing unpleasingly, but with effort, like all Italian tenors. We know him very well. The name of the second I don't know; he is still young, but nothing at all remarkable.
One of the most important events of her early career was her association, in 1834, at the San Carlo, Naples, with Duprez, Caselli, and La-blache. The composer Donizetti had always been charmed with her voice as suiting the peculiar style of music in which he excelled, and he determined to compose an opera for her. His marvelous facility of composition was happily illustrated in this case.
Already the refusal of the holy father to the insinuations of the Cardinals Spina and Caselli had disquieted Napoleon: he had formerly flattered himself that he could make the Pope accept the suppression of his temporal power and the confiscation of his states by offering him palaces at Paris and Avignon, a rich income, and the noble grandeur of his spiritual authority over the whole Catholic Church.
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