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Upon brancards, supported by two or four men or more, according to the weight of the objects borne, were placed enormous brazen cratera, chiselled by the most famous artists; vases of gold and silver whose sides were adorned with bas-reliefs and whose hands were elegantly worked into chimeras, foliage, and nude women; magnificent ewers to be used in washing the feet of illustrious guests; flagons encrusted with precious stones and containing the rarest perfumes; myrrh from Arabia, cinnamon from the Indies, spikenard from Persia, essence of roses from Smyrna; kamklins or perfuming pans, with perforated covers; cedar-wood or ivory coffers of marvellous workmanship, which opened with a secret spring that none save the inventor could find, and which contained bracelets wrought from the gold of Ophir, necklaces of the most lustrous pearls, mantle-brooches constellated with rubies and carbuncles; toilet-boxes, containing blond sponges, curling-irons, sea-wolves' teeth to polish the nails, the green rouge of Egypt, which turns to a most beautiful pink on touching the skin, powders to darken the eyelashes and eyebrows, and all the refinements that feminine coquetry could invent.
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