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Updated: May 15, 2025
We need, therefore, feel no surprise that there is not a trace of the Bardach episode in Hedda Gabler, although the composition of that play immediately followed the hohes, schmerzliches Glück at Gossensass.
In the season of 1889, among the summer boarders at Gossensass, there appeared a young Viennese lady of eighteen, Miss Emilie Bardach. She used to sit on a certain bench in the Pferchthal, and when the poet, whom she adored from afar, passed by, she had the courage to smile at him. Strange to say, her smile was returned, and soon Ibsen was on the bench at her side. He readily discovered where she lived; no less readily he gained an introduction to the family with whom she boarded. There was a window-seat in the salle
To a friend of mine, a young Norwegian man of letters, Ibsen said about this time: "Oh, you can always love, but I am happier than the happiest, for I am beloved." Long afterwards, on his seventieth birthday, when his own natural force was failing, he wrote to Miss Bardach, "That summer at Gossensass was the most beautiful and the most harmonious portion of my whole existence.
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