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Updated: May 24, 2025
There is in the Museum a death-mask, colored and exceeding life-like, taken the day after Ravaillac delivered the finishing knife-thrust in the Rue de Ferronnerie, which represents the Bèarnais as anything but a tamer of hearts. He was a fighter, however, from Wayback, and I dare say Dumas' narrative is quite as authentic as any.
But, instead of recording these horrors, I will fill up my paper with the Choeur Bearnais. The situation of the King gives a peculiar interest to these stanzas, which, merely as a poetical composition, are very beautiful. I have often attempted to translate them, but have always found it impossible to preserve the effect and simplicity of the original.
There is in the Museum a death-mask, colored and exceeding life-like, taken the day after Ravaillac delivered the finishing knife-thrust in the Rue de Ferronnerie, which represents the Bearnais as anything but a tamer of hearts. He was a fighter, however, from Wayback, and I dare say Dumas' narrative is quite as authentic as any.
"I knew his father," said old David. "And his grandfather, for that matter. They're Gascon, I think, or Béarnais; but this boy's mother will have been Irish, unless his father married again. "So you've been meeting a Ste. Marie, have you? and finding that he has great charm?"
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