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Updated: May 21, 2025
After remarking that this is a natural form of ornamentation he calls attention to the frequent use made of it in mediaeval illuminations. * Archaologia Aeliana, p. 169. Archaeological Journal, vol. xi. Then follows another vine, and above all are three crosses and the holy name "Jesus." The last line of the inscription is so broken that it can only be guessed at.*
Fantastic and even grotesque as it is, his work possesses a wholly unclassical fierceness and vigour, and not a few observers have remarked when seeing it that it recalls not the Roman world but the Middle Ages. Aeliana, 1908, p. 205. I owe to Dr. These exceptions to the ruling Roman-provincial culture are probably commoner in Britain than in the Celtic lands across the Channel.
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