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We find a good example of these different elements in La Moza de Cántaro in the three sonnets of Act II, Scene III, of which the first is in the sonorous, high-sounding, oratorical style, the second, in the elegant conceits so common in Italian literature of the period, and the third in the language of every-day life. Each is well suited to the occasion and to the rôle of the speaker.
Most of the plays of Lope contain sonnets, and they vary in number from one to five or even seven: in the present instance we have the medium of three. The décima is used in four passages and the octava in two. The widely varied scheme of versification is as follows: ACT I
Palabra del Dia
Otros Mirando