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More violent than Don Diègue, who is restrained by the decorum of the French classic theater, more tearful than Don Diego of las Mocedades, who, after a passionate soliloquy, rather coolly tests the valor of his sons, ending by biting the finger of "el Cid," Don Bernardo appears first upon the stage in tears and frequently, during the only scene in which he figures, gives way to his grief.
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