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For almost half a century after the publication of the Propaladia the Spanish theater advanced but little, for this was the period when Carlos Quinto ruled Spain and kept the national interest fixed on his military achievements, which were for the most part outside of the peninsula.
Like Shakespeare, he brings upon the stage illiterate servants to mix their rude speech and often questionable jests with the grave and lofty or poetic utterances of their noble or royal masters. His characters, too, were not limited to any fixed line of conduct, as long as honor was upheld.
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