Vietnam or Thailand ? Vote for the TOP Country of the Week !


He remembered how bitter and morose he had grown during his stay at his brother's studio when Katharine Gaylord was working there, and how he had wounded Adriance on the night of his last concert in New York.

The traveling man brought his hand down upon his knee with such vehemence that the solitaire blazed. "So I was right after all, and if you're not Adriance Hilgarde, you're his double. I thought I couldn't be mistaken. Seen him? Well, I guess! I never missed one of his recitals at the Auditorium, and he played the piano score of Proserpine through to us once at the Chicago Press Club.

"Where is the new sonata? Let him speak for himself." He sat down at the piano and began playing the first movement, which was indeed the voice of Adriance, his proper speech. The sonata was the most ambitious work he had done up to that time, and marked the transition from his early lyric vein to a deeper and nobler style.

He remembered how bitter and morose he had grown during his stay at his brother's studio when Katharine Gaylord was working there, and how he had wounded Adriance on the night of his last concert in New York.

I don't mind it myself; I'm used to it. Born and bred in de briar patch, like Br'er Rabbit. I've been trying to place you for a long time; I think I must have met you before." "Thank you," said Everett, taking the card; "my name is Hilgarde. You've probably met my brother, Adriance; people often mistake me for him."

She looked into his face with eyes that seemed never to have wept or doubted. "Ah, dear Adriance, dear, dear!" she whispered. Everett went to call her brother, but when they came back the madness of art was over for Katharine. Two days later Everett was pacing the station siding, waiting for the west-bound train. Charley Gaylord walked beside him, but the two men had nothing to say to each other.

On the night of Adriance Hilgarde's opening concert in Paris, Everett sat by the bed in the ranch-house in Wyoming, watching over the last battle that we have with the flesh before we are done with it and free of it for ever.

Adriance could live on the other side of the Atlantic, where his youthful indiscretions were forgotten in his mature achievements, but his brother had never been able to outrun Proserpine, and here he found it again, in the Colorado sand-hills.

He heard the applause and he saw the roses going up over the footlights until they were stacked half as high as the piano, and the petals fell and scattered, making crimson splotches on the floor. Down this crimson pathway came Adriance with his youthful step, leading his prima donna by the hand; a dark woman this time, with Spanish eyes.

He opened the letter, his lashes half-veiling his kind eyes, and saw to his satisfaction that it was a long one wonderfully tactful and tender, even for Adriance, who was tender with his valet and his stable boy, with his old gondolier and the beggar-women who prayed to the saints for him. The letter was from Granada, written in the Alhambra, as he sat by the fountain of the Patio di Lindaraxa.