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Updated: September 14, 2025
It is not the realism of the realists, or the freedom of free verse, or the radicalism of the radical that in itself offends the critics, it is the growing ugliness of American literature. Vachel Lindsay's shouted raptures are raucous. Miss Lowell's polyphonies have intellectual beauty, but the note is sharp, the splendors pyrotechnic.
Lindsay considers him of all living men the author of the most beautiful poetry. Chants are only about one-tenth of Vachel Lindsay's work. However radical in subject, they are conservative in form, following the precedents of the ode from its origin. It is necessary to insist that while the material is new, the method is consciously old. He is no innovator in rime or rhythm.
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