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Updated: May 14, 2025
The Emperor, after he had finished his meal, heard it also, and listened to Barbara as if enraptured when, in Hobrecht's motet for five voices, Salve crux arbor vitae, in the sublime O crux lignum triumphale, she raised her voice with a power, a wealth of pious devotion which he had never before heard in the execution of this forceful composition.
We took some notice of the Carmen Triumphale, which stood at the head of the series. But of the Odes which afterwards followed to the Prince Regent, and the Sovereigns and Generals who came to visit him, we had the charity to say nothing; and were willing indeed to hope, that the lamentable failure of that attempt might admonish the author, at least as effectually as any intimations of ours.
Of course such matchless self-complacency defied assault. Southey's congratulatory odes appeared as often as public occasion seemed to demand them. There were in rapid succession the "Ode to the Regent," the "Carmen Triumphale," the "Pilgrimage to Waterloo," the "Vision of Judgment," the "Carmen Nuptiale," the "Ode on the Death of the Princess Charlotte."
The Emperor, after he had finished his meal, heard it also, and listened to Barbara as if enraptured when, in Hobrecht's motet for five voices, Salve crux arbor vitae, in the sublime O crux lignum triumphale, she raised her voice with a power, a wealth of pious devotion which he had never before heard in the execution of this forceful composition.
The Emperor, after he had finished his meal, heard it also, and listened to Barbara as if enraptured when, in Hobrecht's motet for five voices, Salve crux arbor vitae, in the sublime O crux lignum triumphale, she raised her voice with a power, a wealth of pious devotion which he had never before heard in the execution of this forceful composition.
As a matter of fact there was such a gate, and I believe it was called the PORTA TRIUMPHALIS. An inscription of the age of the Antonines mentions "seminaria a Porta Triumphale," and this passing reference to a gate with a name which in itself implies a gate of consequence, so well known that a building placed near it at once had its location fixed, gives the rest of the proof necessary to establish a central entrance to the city in front, through a PORTA TRIUMPHALIS.
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