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Updated: July 2, 2025
Whether it is because the Savonarola episode is not thoroughly synthetized with the Tito-Romola part: or that the central theme is of itself fundamentally unpleasant or again, that from the nature of the romance, head-work had largely to supplant that genial draught upon the springs of childhood which gave us "Adam Bede" and "The Mill on the Floss"; or once more, whether the crowded canvas injures the unity of the design, be these as they may, "Romola" strikes one as great in spots and as conveying a noble though somber truth, but does not carry us off our feet.
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