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Aaron listened more to the voice than the words. It was more the sound value which entered his soul, the tone, the strange speech-music which sank into him. The sense he hardly heeded. And yet he understood, he knew. He understood, oh so much more deeply than if he had listened with his head. And he answered an objection from the bottom of his soul.
The plea is for moral and objective work, more stories, narratives, and even vivid readings, as is now done statedly in more than a dozen of the public libraries of the country, not so often by teachers as by librarians, all to the end that the ear, the chief receptacle of language, be maintained in its dominance, that the fine sense of sound, rhythm, cadence, pronunciation, and speech-music generally be not atrophied, that the eye which normally ranges freely from far to near be not injured by the confined treadmill and zigzag of the printed page.
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