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Updated: May 23, 2025
Sluter, the great sculptor, went to Burgundy, took service with the dukes, and bequeathed no specimen of his art to the land of his birth. Dirk Bouts, the artist of Haarlem, removed to Louvain, where his best work is preserved; what was left at Haarlem has perished.
In the North, as in the South, sculpture developed earlier than painting, and, just as Pisano precedes Giotto, Sluter precedes, and to a certain extent explains, the brothers Van Eyck. The influence of sculpture on painting is made evident from the fact that many statues of the time were gilded and coloured, painters being frequently called in to perform this part of the work.
The striking sculptures of the pit of Moses, at Dijon, were executed by Claus Sluter of Zeeland. These statues, which bear comparison with those of Ghiberti and Donatello, Sluter's contemporaries, suffice to explain the sense of form and of line in the draperies revealed by the early Flemish masters.
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