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The plot of 'Mistress Inger' is not veracious or convincing or even plausible; and the play lacks the broad simplicity of story to be found in the later 'Vikings, a saga-like drama, a tale of blood and fate, which recalls Wagnerian opera in its primitive massiveness, in the vigor of its legend, in its tragic pathos, and in its full-blooded characters larger than life and yet pitifully human.
Then, with an abandon of ecstasy she plunged into one of those wild and sea-blown saga-like rhapsodies of the Hungarians, full of the wind in rigging, the storm in the pines, of shrieking, vast forces hurtling unchained through a resounding and infinite space, as though deep down in primeval nature the powers of the world had been loosed.
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