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Max. vi. 3, 12; Plutarch., Quaest. Rom. 14; Cicero, de Har. Resp. 12, 26; Ritschl. III. XII. Moneyed Aristocracy II. IX. Censure of Art The scanty use made of what is called the middle Attic comedy does not require notice in a historical point of view, since it was nothing but the Menandrian comedy in a less developed form. There is no trace of any employment of the older comedy.
The characteristic theological tendencies of the two succeeding generations may be traced back to him. Many men worked in seriousness upon the theological problem. No one of them marks an era again until we come to Ritschl. The theologians of the interval between Schleiermacher and Ritschl have been divided into three groups. The first group is of distinctly philosophical tendency.
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