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Updated: May 24, 2025
That evening I made the acquaintance of the poet Christian Richardt, who told me that he had noticed my face before he knew my name. Julius Lange was exceedingly exasperated and out of spirits. Ploug went down the stairs looking like a man whose hopes had been shattered, and whom the blow had found unprepared. His paper had persistently sown distrust of the Prince of Denmark.
This, to me, was happiness, an uninterrupted garnering of intellectual wealth in association with objects that all appealed to my sympathies, and I wrote home: "To be here, young, healthy, with alert senses, keen eyes and good ears, with all the curiosity, eagerness to know, love of learning, and susceptibility to every impression, that is youth's own prerogative, and to have no worries about home, all that is so great a happiness that I am sometimes tempted, like Polycrates, to fling the handsome ring I had from Christian Richardt in the gutter."
We have not men to place separately in the various frames. III. Realistic Art. There is so far only an attempt at a realistic art. Thus, in Bjoernson's Arne and Sigurd Slembe. Richardt corresponds in our lyric art as an artist in language to the poets of the Parnasse, while Heiberg's philosophy and most of his poetry may be included in the School of Common Sense.
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