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Updated: June 6, 2025
Teratology seemed to have emptied out its specimen bottles; it was a seething swarm of human larvæ, of strange heads bullet-shaped, egg-shaped, faces as seen through a bottle or in a distorting mirror, or escaped from one of Redon's grotesque albums; a perfect museum of monsters on the move.
We have as a result of this almost religious devotion of Redon's, the fairest type of the expression of that element which is the eye's equivalent for melodious sound. In his pictures he perpetuated his belief in the unfailing harmony in things. Either all things were lovely in his eye, or they are made beautiful by thinking beautifully of them. That was the only logic in Redon's painting.
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